Friday, November 13, 2009

The Historic Obama Tribal Summit: Uphold the Spirit of America's Founding - Melinda Gopher

"On this week of Veteran's Day 2009, Indian Country witnessed the historic meeting of the Obama administration with Indian tribes on November 5, 2009. What should have been a national celebration was a staid, meaningless political affair. Indian country felt excluded, Mr. President. We have powwows, we celebrate, we eat, we dance. Our drums are the powerful heartbeat of this nation.

As things go in Washington, the meeting was a rushed affair. This is very understandable and noting there has been an outpouring of tribal sympathies--this year's President's closing address was cut short by the tragedy in Fort Hood, Texas. President Obama delivered a few short remarks--less than five minutes, at the Department of the Interior before rushing to attend to the aftermath of the tragedy. That being said; the tribal summit of 2010 must rise in relevance, importance and in spirit. I cannot help but note the White House Halloween party seemed to garner more effort from the Obama White House. Please invite the Indian children to the White House next year during the summit, they are a part of this nation's legacy.

I am a candidate for the U.S. House in 2010 in the state of Montana. I am an otherwise private person about my convictions, but I think there's relevance in addressing a couple of issues that hopefully will be corrected by next year's summit. I am an Ojibwe traditionalist--meaning that I follow the Peace Pipe spiritual tradition of the Ojibwe people--my main tribal lineage. Our spirituality was hard fought for by ancestors in a country where the government and church worked systemically and in a genocidal manner to eradicate all vestiges of tribal culture. This fact is irreconcilable in a nation that guarantees freedom of religion. Our past is a tragic reminder of cultural and racial exclusion; today is a new day.

My ancestry originates from the Great Lakes. Our experience with tribal dispossession most profound; the preservation of the Thirst Lodge (Sun Dance) and the Midiiwiin, or Grand Lodge was no small feat. People suffered greatly; through starvation, land loss, and cultural disruption. This made the Peace Pipe faith (not the same as the Native American Church--two distinct and separate faiths) more important than ever before; it is all the more precious to my tribe. Government policy post -1934 to the early 1970s (Self Determination Act of 1973)--entrenched an assimilation dogma and tribes reached the brink of losing cultural competency. My late Father, Uncle and others were land dispossessed Ojibwe leaders retrenching their efforts to keep the last of our cultural traditions alive for future generations. I am happy to say they succeeded. Many of the songs of the great Thirst Lodges of the Montana region come from this small band of Ojibwe--one element of a disrupted culture saved.

The Peace Pipe culture and the vast tribal cultural array of civilizations pre-date the "city on the hill" Christian ideology. This inter-tribal array of entities are the original givers of nationhood in the truest sense. The earliest Eastern treaties pre-date the U.S. Constitution. Treaties were always sealed with a Peace Pipe ceremony. No President, to my knowledge--ever participated in a Peace Pipe ceremony, despite the fact this is the original source of his power, existence and authority. This is the original source of nationhood--the U.S. simply would not exist without the underlying foundation of the U.S.-tribal treaty relationship. Instead, the Peace Pipe is often mocked as with other aspects of tribal culture; we are the only race of people turned into sports mascots. A famous euphemism often bantered about casually is "they smoked the peace pipe," to indicate a conflict has been ironed out.

The Obama tribal summit seemed out of whack and culturally inappropriate on several levels. A press picture circulated by Lee Newspapers depicts a tribal leader donning a full plains style warbonnet raising his hand to ask President Obama a question. I believe this is the leader of the Three Affiliated Tribes of North Dakota; (who went on to give the President the headdress). It took me a couple of minutes to digest just how culturally inappropriate that was. Our native leaders wearing the warbonnets of eagle feathers; should never be put on the level of having to raise their hand--to anybody. Tribal leaders of these original nations were treated like the White House press corps. President Obama missed a great opportunity to begin to restore the nation-to-nation relationship; he chose to follow the same failed path of his white predecessors. When he greets foreign heads of state--they are accorded formal reception and there is a stature of equality, there is a photo opportunity with both leaders seated side by side. Obama must stand out.

The stage craft matters and the culturally appropriate manner of discourse matters most. I call for a grand peace pipe ceremony to start next year's summit--led by an elder from a tribe knowledgeable about the peace pipe traditions. My late Father, a keeper of the sacred pipe tradition, and who led a plains Indian cultural renaissance had a saying that holds here; "Indian people should always be accepted on our terms as people from an original culture--accept us for who and what we are--not what you think we should be." We are co-founders of this nation, and the givers of an American reality spanning a five centuries. The respect owed has been well earned. As a native American leader and traditional woman who carries the Ojibwe women's peace pipe, this is my way of life for which a life time of preparation and training has gone into; I would like to see next year's summit improved to reflect the historical significance of native people in a culturally meaningful way. I will be glad to help, this is a standing offer. "

www.MelindaForMontana.com

Full Article and Source Click Below
http://www.huffingtonpost.com/melinda-gopher/the-historic-obama-tribal_b_355447.html

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“The Indigenoid” at the Myrna Loy in Helena Last Summer - Support Brooke Swaney Native American Film Maker

“The Indigenoid” at the Myrna Loy
Come and Support Helena film-maker Brooke Swaney
Posted: July 10, Helena Indian Alliance Newsletter (Archive)

Helena filmmaker, Brooke Swaney (Blackfeet, Salish), will be screening her work to fund raise for her second-year film. Brooke is a rising second year film student at New Your university, an institution that boasts alumnus such as Spike Lee, Martin Scorsese, Ang Lee, and Native filmmaker Chris Eyre (Smoke Signals, Skins).

Brooke Swaney will screen the works she completed as a first year, three short films. In addition, she will include “The Indigenoid” as part of the program. This short film was nominated as Best Live Short at the American Indian Film Festival in San Francisco, and just has been accepted to screen at the Museum of the Institute of American Indian Arts.

Archive on this at Link Below
http://tribal.mt.gov/includes/newsletter_July_11.pdf
In Support Of Montana Native American Brooke Swaney

Brooke Swaney - Montana made; NYU film student seeks support for latest project

Brooke Swaney was going to do something "practical" but it just didn't work out.

A Helenan and longtime Grandstreet student, Swaney graduated in 2003 from Stanford University with a major in psychology and a minor in French. She even wrote an honors thesis on media effects on health beliefs in American Indians, which will be published in the prestigous Journal of Personality and Social Psychology.

But halfway through her time at Stanford, Swaney realized that she wasn't doing what she wanted to be doing.

If you know her, you know that Swaney is, well, kind of a goofball. Though psychology may have satisfied her intellectual side, in terms of creativity, it just wasn't cutting it.

At school, Swaney participated in Stanford's annual student musical revue "Gaieties" as a freshman and a senior, but didn't have much time to devote to the arts otherwise.

To give herself another creative outlet, she decided to take a writing class, where she came up with what she thought was a really great idea for a story. But the more she thought about it, the more Swaney felt the idea was more conducive to a different medium -- film.

In the meantime, Swaney attended the Sundance Film Festival and was impressed by films from places like New Zealand and Australia that were part of the Indigenous Shorts category, which is now defunct.

"But the films from America," says Swaney, "...I was not impressed. They were all stereotypes."

When she came home after college to work at the Indian Law Resource Center, Swaney was inspired to follow through with her idea.

To start, she read a book on filmmaking a relative had recommended -- "I just skimmed it like crazy" -- and enlisted the help of fellow Helenan Annie Connole.

This wasn't the kind of thing where you get out the family camcorder and make a movie just for the fun of it. Swaney took several months to plan and execute the project, from storyboarding to editing, working for hours after she came home from work each night.

She even arranged to have the brother of a friend fly in to act in the lead role.

"I was just wanting to do something about Indians in contemporary society," says Swaney. "Growing up as an urban Indian, it's very different for me."

Shot in Helena and featuring several local actors and many recognizable locations, "The Indigenoid" is a look at the subtle ways in which Indian culture has seeped into the mainstream, and how they affect the life of a modern Indian young man on a day-to-day basis.

Making "The Indigenoid" was a pivotal experience for Swaney.

"I started to see the world through like, the lens of a filmmaker, seeing like, the beauty that is around you and how you can capture that," she says.

Swaney entered "The Indigenoid" in Sundance, but it wasn't accepted. However, the film was recently nominated for Best Live Short at the American Indian Film Festival in San Francisco, just behind a short by Chris Eyre, who did "Smoke Signals."

Swaney decided that she needed to learn more.

"I wanted some formal training," Swaney explained.

So, on a whim, she decided to apply to graduate film school at New York University's Tisch School of the Arts -- where Spike Lee is artistic director and alumni include Morgan Freeman and Ang Lee -- and got in.

"Which was amazing because it's very competitive," says Swaney, who is one of a class of 36 students chosen from about 800 aplicants. "It was very last minute."

The intensive program was actually the subject of a reality TV show called "Film School," which aired on the Independent Film Channel in 2004.

"Sometimes it does feel like you're in this crazy reality show," says Swaney. "The first year I like to call 'boot camp.' "

While she's in Helena this summer, Brooke Swaney is hosting a screening of "The Indigenoid" and three of her other short films in hopes of generating some support for her upcoming film project.

For NYU students, the second-year film project is a really big deal -- it's the film they're expected to submit to festivals like Sundance for consideration.

Swaney would really like to shoot her project in Montana, but will need to generate financial support and other resources locally in order to do so.

"I feel like I know this world better," says Brooke Swaney. "I feel like I'm a Montana filmmaker; I would like to continue to film in Montana."

That's why Swaney says she still counts "The Indigenoid" as her best film thus far -- "because it really came from a place I know really well."

NYU provides equipment and a small budget for second-year films, but students are expected to come up with additional resources on their own. Also, if Swaney shoots in Montana, her access to NYU's equipment will be limited.

One of the ideas Swaney has for her second-year film is a story about a girl who is in a desperate financial situation and decides to sell her eggs -- inspired by a friend of Swaney's, who actually did.

"I just couldn't believe it," says Swaney, who hopefully will not need to resort to such measures to fund her second-year film.

"If I don't raise the money then I won't do it," Swaney said. "

Link to Source:
http://www.helenair.com/entertainment/article_7b9ad49a-1818-5950-a316-fc0de18619e4.html
Brooke Swaney

Madrid Dares You Film Competition - Featuring Brooke Swaney

"When I say I'm from Montana, I'm FROM Montana. My people, the Salish and the Blackfeet tribes, are from there. And if you’re reading this you’re familiar with the jokes.

Some Blackfeet dude in reference to the people on the other side of the mountain: fisheaters. When I was a kid on the Flathead Reservation, all my cousins would tease me that I walked at a slant.

I guess I’ve always been a bit slanted. Moving from the reservation to the “city” required adaptation, so I reacted by being a spazz with a solid nerd the foundation: graduating top of my class at Capital High in Helena and then going on to Stanford, all the while acting in community theater in the former and writing and acting in the biggest and spazziest of Stanford “theater,” Gaieties, in the latter.

Being Native has always given me an outsider insight to American society. It has kept me curious in every situation, like I’ve taken on and reclaimed the role of anthropologist or something. The latest fieldwork: Madrid.

Just last week, I had the immense fortune of participating in a short film competition called Madrid Dares You sponsored by the Madrid Board of Tourism.

Check out the link (and vote for my short El Color de Madrid, politik politik):
http://www.madriddaresyou.com/en/multimedia.aspx

The challenge was to make a short film, three days to shoot and three days to edit, showcasing the city based on a theme. Mine was Fashion and Luxury.

Now, just because I’m from Montana doesn’t mean that I don’t know about Hermes or Balenciaga or Dolce and Gabbana (thank you Television, Vanity Fair and the good ol’ Internet). But it was immensely strange to be plunged into filming some of the top designers in Madrid, spending time in a suite in the Palace Hotel where Michael Jackson used to stay, and trying to converse about this all in Spanish; versus the 72 hours before, to pleasantly stroll through the mountains near Basin, MT where I was doing an artist residency at the time.

But I guess that’s the life of a filmmaker, and that’s why I love it. I get to explore and research to my nerdy heart’s content a new subject with every project.

A few months ago, my mom asked me why I wanted to be a filmmaker. It hasn’t been an answer that has seemed obvious, that they would publish years down the line: “She always would make little films as a child during family gatherings” or “You could never pry a camera out of her sticky little hands.” No, that never would be believable because I never had a video camera growing up and I was fastidious about the cleanliness of my hands. I think the first time I touched a camera (with clean hands, sorry the joke keeps getting less funny as I stick it in but I can’t help it) was when I moved to Helena and was surrounded by suburban kids.

For me the inspiration to be a filmmaker has come from a need to express myself and tell a story. That’s why I made “The Indigenoid” in 2004.

You can see it on my website if you like:
http://www.brookesp.com/
Brooke Swaney

We submitted it around to a few film festivals. The high hopes of Sundance didn’t pan out, but getting into film school did.

NYU has provided a foundation for my building career. It has taught me so much technically and artistically. The peers I have met, the professionals I have heard lectured, the professors who have fundamentally influenced my work, and the connections I have made are sure to remain with me always. Brooke Swaney

At NYU, I have been able to sing the voice of my films, sometimes off key.

Ideally, I want to make features based in Montana. But, I aspire to film everywhere, anywhere that speaks a truth to me. Already, I have been able to spend time in France, Cuba, New York, Madrid and the Bay Area. But I am always grounded in my big sky upbringing. "
by Brooke Swaney

Thursday, November 12, 2009

Melinda Gopher for Congress

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Thursday, November 5, 2009

Obama promises Native Americans place on agenda

"President Barack Obama is telling Native American tribal leaders he is determined to reverse the federal government's history of marginalizing and ignoring the plight of Indian nations.

WASHINGTON — President Obama pledged Thursday to redeem broken promises made to American Indians, saying he's empathetic because of his own history as an "outsider."
"Few have been more marginalized and ignored by Washington for as long as Native Americans, our first Americans," Obama said in opening the White House Tribal Nations Conference.

"I know what it means to feel ignored and forgotten, and what it means to struggle," he said. "So you will not be forgotten as long as I'm in this White House."

The administration invited representatives from the 564 federally recognized tribes to participate in the conference, the first White House meeting of its kind since 1994. Leaders from nearly 400 tribes attended. The event came as some American Indians are locked in a long-standing legal battle with the federal government over land royalties.

Obama said American Indians have a right to be suspicious of the government, recounting a history of broken promises and treaty violations. "You were told your lands, your religion, your cultures, your languages were not yours to keep," he said.

Obama said his administration has already helped Native Americans through the $787 billion stimulus package, which included $100 million for job creation within tribal communities, $500 million for the Indian Health Service, and nearly $500 million for various education, college and school construction programs.

The president told the tribal leaders he has made good on campaign promises to hold the summit and to give American Indians a voice in his administration. Among the Native Americans in key posts: Kimberly Teehee, a Cherokee, senior adviser for Indian issues, and Larry EchoHawk, assistant Interior secretary for Indian Affairs. EchoHawk is a member of the Pawnee tribe of Oklahoma.

Obama's efforts were received positively. "We respect you as a man of your word," said Jefferson Keel of the National Congress of American Indians.

The president signed an executive order requiring all Cabinet members to provide plans for consulting Indian tribes. He also pledged to consider Indian needs when moving forward on education and health care programs.

President Clinton issued a similar order about a decade ago, but Indian leaders said little was done to enforce it. They are more optimistic about Obama.

"It's truly a beginning," said Theresa Two Bulls, president of the Oglala Sioux Tribe in South Dakota. "I feel in my heart, there's going to be many more meetings like this."

Video Link
http://link.brightcove.com/services/player/bcpid42806360001?bctid=48415013001



Source
http://www.usatoday.com/news/washington/2009-11-05-obama-indians_N.htm